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really need to start with a appropriate sounding guitar tone. If the deformation sounds weak-kneed and buzzy,[link widoczny dla zalogowanych], then you need to fix that above all. Its much easier to get a big guitar sound fashion a sound source that sounds agreeable to start with. Crap in equals crap out. No matter what you do with it. The use of short delays is good for amplifying up the guitar sound across the stereo fields. This technique is very efficacious. Your intonation needs to be very broad with extended high and cheap frequencies. This is a must for a huge sound. Your depth is very major. Long delays and reverb tin make the guitar sound favor its being heard to in a colossal room. A slap behind lag defines the size of the room that the guitar is placed in. For example a delay of 500ms will establish the illusion that the guitar is being heard to in a space that is 500 feet long. This is because sound voyages at a speed of one foot per millisecond. Compression is very important. I don't have a setting, because you need to use your ears for this. Each guitar/song will need assorted settings. But memorize that compression helps reserve the guitar invariable in the mix space. So use compression for this.. You attempt low tuning your guitar. record one take with criterion tuning and one take with low tuning and incorporate them both for one huge guitar sound. Double, triple,[link widoczny dla zalogowanych], quadruple track guitar takes. Pan them far left and far right. This is even now the best way to fulfill a huge guitar sound. You tin likewise clone/copy the guitar track onto a new track and then transpose then plenary track down an octave and join both tracks for a huge sound.
This is my favorite mic'ing technique to get that huge, thick, and chunky guitar sound: (Note; you absence 2 mic's as this technique). This technique will put the "power" in your power chords.
Place 1 mic near to your amp's spokesman and compress that semaphore with an 8:1 percentage settings, a hasty onset, a semi fast release and a threshold of 6 to 20dB under the highest peak of the audio level. This lofty compression ambition cause your guitar sound to pump.
Place the 2nd mic and location it 5 to 9 feet away (room mic) from the amp's speaker. Compress this signal with a ratio of 5:1, a middle attack, a slow release, and the threshold is the same as the additional one, among 6 to 20dB below the highest peak.
Combine both sounds together and using the apartment mic equitable enough to give it namely thick and chunky sound.